Timothy’s Magic Kite

Once upon a time, a boy endured a fulfilling Friday both in April and in the third grade. During recess, he noticed how windy it was, as children played joyfully, some swaying to and fro on swings. During the bus ride home, he thought to himself, “Man, if I would have had a kite I could have flown it a hundred feet in the air on the first try.”

At the dinner table that evening, young Tim kept cautious with his manners, as if it were no common phenomenon. Upon a what seemed like a four-year wait to speak, he said, “It would have been a nice afternoon to fly a kite, today.” “Maybe if you promise to do some yard work tomorrow your father will take you to the store and buy you a kite to fly on Sunday,” proposed his mother. “I have no problem with doing some yard work,” knew Tim to refrain from objecting to, “I have always wanted to build a kite, though.”

“If you want,” said his father, “And I do plan on sleeping in tomorrow morning, you can try to build one with the slim dowels I have in the garage I usually use for cooking barbecue. Those and some left-over fabric from your mother should get you going.” Tim’s father glanced to his loving wife, and she said, “Oh sure, Honey, I have a sack of extra fabric for quilting in the side closet you are welcome to.”

Tim thought about it; he almost did not want to make the kite, simply because they said he could, wondered of his own mind. He noticed they did not again mention yard duty. “Okay if I try to make the kite tonight and sweep up the leaves in the morning?” “Sure,” said his father, “And, as the weather will probably permit, we can go to the park and fly your new kite tomorrow afternoon.” Young Tim was so excited he nearly left before eating the hamburger steak and mashed potatoes before him, as he had made sure to eat the lemon-butter broccoli first. There would have been no getting away with skipping out on that. Even if vegetables were not his usual first choice, the broccoli was not so bad, after all.

The meal was great and Tim politely relayed this information to his mom and thanked her and proceeded to the garage. He found the yard-long barbies and broke and tied them into a rectangular box-like structure just like he saw on a TV show one time that involved Japanese origami kites. He went and found some scissors and the fabric and went back into the garage. Young Timothy selected the most beautiful fabric, two separate partial sheets. One was dark orange with small green and yellow flowers; the other sheet was bright orange-yellow with purple and blue flowers resembling birds of paradise.

Fully constructed, Tim brought the magnificent kite to his bedside, as it was nearing 10 pm. His brother and his sister were already asleep; Tim went and checked on his parents before saying his prayers and turning in with his amazing new kite by his bedside. In the middle of the night, Tim awoke and could have sworn he saw his kite floating a foot above the ground, as if it were dreaming of being in the sky. The boy discounted the notion. Surely he was dreaming; he went back to sleep until just before daybreak.

Upon dawn, Tim marveled over the kite as if he had never seen it before, totally impressed with its construction, durability, and overall aesthetics. He left it there; showered and changed; brushed his teeth; ate a biscuit and drank some juice; and proceeded to go sweep the leaves.

A chore it was, for the wind was strong and nearly constant. Timothy swept the entire yard, five sacks full of leaves in total. It was noon and his mother called him in for a bologna sandwich and glass of milk. She thanked him for sweeping up the yard, commending his efforts. His father woke up, showered and changed, ate, and inspected Tim’s kite. “Impressive construction,” said Walter, Tim’s father. “Thank you,” said Tim, and they drove with the kite to the park, telling Mrs. Wellington “Goodbye, I love you, and we’ll be back soon.” She waved and blew them kisses as they departed.

The park was gently lit by the afternoon sun and puffy scattered clouds of its sky blue atmosphere. Adults and children played about. Some played catch, others tag, and the rest other games or picnicked. There were sunbathers and card players, nonchalant people existing in a happy joy. Tim and his father made a lengthy walk to a large field in the back of the park. They did not know if the thick string they brought would suffice to fly the kite, yet they planned to take their chances.

Tim and Walter stood about thirty-five yards apart from each other, the wonderful kite in Walter’s hands, his eyes on Tim. Tim assessed the flow of wind, deemed it an adequate constant for their endeavors. “Do you have a good hold on the string?” asked Tim’s father. “I think I have it.” “I will count to three and throw it into a rising gust.” “Okay.”

Walter counted slowly aloud to three and, while allowing the kite to catch the drag of the wind, slowly let it go to float into the air. An astonishing amusement to young Tim, the kite (possibly magical) rose from ground level and climbed in the wind with semi-chaotic grace. Tim pulled left then right, carefully, and guided the kite into the air, higher and higher, until it was about twenty yards above the ground. “Let out some string,” called Walter, and Tim carefully let string from his hands, about six inches at a time. The flying kite amazed Walter. “We got it up there,” he exclaimed. Tim was happy and impressed, too, and saw to it that he got the kite to about fifty yards above the ground before keeping it there in close to the same position.

Many could see the kite swaying gently far above the field, and Walter began walking back to Tim. “The wind is getting stronger,” said Tim, using his strength to hold the string; “The string may break.” “Keep hold of it,” said Walter, as he was walking back to Tim, eyes on the kite. Tim wrapped the string around his hands to hold it well; his father would be there any second to take hold of the line. Just as Tim felt confident he could keep the kite in the air and the line from breaking, his feet left the ground.

Walter saw Tim lifting into the air and dove to catch him. Walter hit the ground belly first, and Tim floated higher into the air. “Let go of the string,” said Walter, but Tim held on to it. By the time he could have unwound his hands, he would be over twenty feet above the ground. The kite rose into the wind, as did Tim. Walter panicked and ran to his car, only to notice he locked the keys inside.

“Hey mister,” said a young woman with a pink Volkswagen Beetle, “Hop in and we’ll follow him if we can.” Walter ran over and got into her car, as Tim soared high above them in a direction away from the park, towards the city.

Tim looked down; the breeze up there was nice. “It might kill me to see it,” thought Tim, “But this is a wonderful view of our city.” Tim could see entire residential neighborhoods, city blocks, industrial buildings, and the cars looked thumb-sized. The wind carried him on.

The young woman happened to be an excellent driver; she and Walter followed Timothy right out of the city, who was beginning to appreciate the beauty of the outskirts of town. Mostly under-developed farmland with the occasional brook, small cabin, or herd of cows, Tim tried to appreciate the view and his many blessings in life the best he could. “Dear Lord,” prayed Tim, “Please, help me land safely.”

At that very instant, as Tim was looking down into a puffy white cloud and barely able to see a field of trees below, he began to slowly descend. The driver’s name was Molly. She and Walter watched in relief, as Tim was appearing to descend and the string and kite seemed to still be intact. Tim was headed for what looked like a hundred-year-old oak tree. He descended gracefully and landed in the lower bushy limbs of the tree. Safely.

Within moments, Walter ran to his son, picked him up and embraced him, thanking the Lord above for his son’s well-being. Tim hugged his father who placed him on the ground. He shook Molly’s hand and thanked her, too. “You are one lucky child,” remarked Molly, “And that is an impressive kite.” “Thank you,” said Tim, “Cool car,” and Walter gave Molly some gas money, as they went with the kite to the pink Beetle.

They put the kite in the back seat for a relaxing ride back into the sunset falling behind their town. After some while, Molly pulled over to the side of the road and stopped. “What now?” wondered both Walter and Tim. “Is it just me or is the kite in the back seat floating in the air?” asked Molly. “It’s magic,” said Tim, and Walter kept his eyes on the road. “Oh,” said Molly, “Okay,” and she proceeded to drive on down the farm road to the park.

Once back, Walter thanked Molly and called his wife for car keys, and he and Tim drove home with the kite. Tim secretly thanked the Lord above for answering his prayers, and everyone lived happily ever after. Tim would never forget his times with his wonderful, magical kite.

My First Hip Hop Poem

I totally love music, art, and writing. Even poetry. There is nothing more rewarding than celebrating the beauty our language can posses within our own human limitations and sometimes even otherwise. As a songwriter, I usually enjoy writing heavy metal lyrics, as I am currently attempting to learn to play the guitar better, or more or less, the right way.

I have a couple of friends that spend part of their time attempting to produce music professionally, both can sell tracks and beats to lyricists. While I enjoy rhyming and the common notion of being grateful for being able to, I usually do not ‘wrap’ or ‘flow’ on often occasion, even if I think it is fun to do.

Nevertheless, I good friend of mine in CO who I enjoy playing chess with via the ChessWithFriends phone app, asked me to share with him a hip-hop poem. Six months ago. I told him I had no current song book but was into poetry and meter, ect. Recently, he purchased some new equipment to get his sound lab closer to what he wants it to be, a seemingly costly venture for him during these times. I am happy for him and his new female acquaintance and his dog, Blue, and hope the best for their future. He asked once more for a rhyme, even though he free-flows in front of crowds, DJs, synthesizes and mixes music, ect.

So, here is what I sent him. The shot out is for a female lyricist  heard within the Viper 2017 Drum and Bass collection found on Amazon; I like The Chemical Bros and Aphrodite…

“Gotta Love That Drum and Bass”

When I hear a good beat, I let the lyrics flow,
Listen’n ’cause there’s a rhythm, in much of the soul;
Only one way to the top, and it is understood,
cannot keep a man down, when he’s know’n he is good;
goodness to others, and love to all,
leading by principle, to watch the evil fall;
things that made her, passion and persistence,
shot out to her, a master of an instance;
chaotic forms of bedazzlement and light,
can a beat move a soul? there are those who say it might;
hip hop is fun when the gangstas be good,
listen’n to the rhythms, while I stroll through the hood;
love that drum and bass, ’cause the sounds keep me go’n,
movements of this hall always keep our blood-a flow’n.

peace – jcm3blog 🙂

A Man at the Bank

There once was a beautiful teller at a bank. She was always presentable and, without a doubt, totally attractive to many. Her name? Forea. Of course, people always asked of the origins of her name; she usually said it was Nordic.

Forea kept considerable track of her customers, not always for her own curiosity, but usually to provide the best banking services for them. Mentioning new account types and investment possibilities usually meant increases in pay for her. These things were routine.

Most of Forea’s customers were overly presentable and cleanly with their fashion. Each with a highly unusual character, they often seemed to her to be what Grammy award winners might look like in person. There was one customer; however, he came in once a month, always on the twentieth.

Mr. Murphy was his name. He often came into the bank in a white, green, dark green, or black suit. If not a suit, he, at least, dressed above “business casual.” She knew he had red hair and pale skin, totally unique attributes that would qualify him for one of her oil painting attempts.

Despite his unique attire, there was one thing that Forea simply could not figure out. All of her customers wore unique attire. Mr. Murphy, however, usually came to the bank for one reason, and that was to trade five golden coins into his USD account. This way his monthly transaction was to convert gold coins to cash. Forea wanted to know why.

She decided to ask him one day. It was the twentieth, she woke up early and got ready for work early and made it on time, as always. About mid-morning, to know surprise, Mr. Murphy walked through the huge glass doors installed in the front of the bank with a white shirt and green silk tie.

Forea gladly accepted the five gold coins and completed the transaction, as always. Barely having the time and the nerve to ask Mr. Murphy a question upon his departure, said Forea, “May I ask you something?” “Well, sure,” replied Mr. Murphy with a grin. There was no aspect of Forea that was not beautiful. “Why do you always come in on the twentieth to change in exactly five golden coins?” she asked. Said Mr. Murphy, “Well, for one, I am a leprechaun.”

Fuzz

The above is a photo of a 70’s style fuzz distortion pedal I put together. It is the most simple circuit I found on the web for a “diy” distortion pedal; there are many more circuits that are very complicated compared to this one. It sounds great. I figured out how to add an led as well as switching for bypass, which means I can play with it plugged in and choose between having fuzz distortion or not. It is a “Bazz Fuss” pedal.

Of the three switches, one connects the two jacks together and the other two turn on/off the 9v power supply (one on “+” and one on “-“). The knob is for volume. I did not add a tone knob, because tone knobs on other pedals I have experimented with did not change the sound enough to further complicate the circuit. I realize I currently have minimal knowledge of electronic circuits; I am a beginner with these notions. The three wires in the photo are the 9v wire and two 1/4” cables, one to the guitar (in) and the other to the amp (out).

Here are two video links to see how this same kind of pedal is made:  fuzz1 fuzz2. To make your own fuzz pedal, watch these videos to draw out the circuit and write down the components. You may want to check out mammoth for components if you are interested in making a pedal. A very large selection of components can be found from mouser. For dozens of awesome “diy” pedal kit options/circuits, check out guitarpcb. There is even a Pink Floyd jet pedal on that site. For the best price on an excellent temperature controlled soldering station, I suggest this one. Mine works great and heats to 300 degrees in under thirty seconds (just like it says on the box). The last three soldering irons I have used and owned do not even compare to the above mentioned soldering station, and one can even order replacement tips for it. I like the tip that looks like a cone. There are also many pedal kits, even if more common, on Amazon.

 

 

Below is the circuit  I put together and tested before deciding whether I would put it in an enclosure. I found the 1/4″ jacks for the guitar cables on Amazon.

Obviously, one would not want to build an enclosure for a circuit that does not work. This was the third circuit I tried to make for a distortion pedal and the first one that worked. I may solder together a more complicated one eventually; however, for now, I plan to spend some time with my writing and learning to play the guitar better.

If you watched the videos and looked up “fuzz pedal circuits” on bing, you will notice that the circuit above utilizes a 9v power supply. I added the three switches on my own, as well as the blue led and 470 ohm resistor. First, I added the one (switch) that connects the two jacks’ negatives, for bypass. It only worked when I unplugged the power supply, so I added the other two switches in order to be able to have it plugged in and also off, to play without distortion.

As it is, I can turn the two 9v switches on and the jack connection off to play with fuzz distortion, and turn the switches the opposite for ‘near’ true bypass (it is hard to notice any distortion when it is configured for bypass).

The circuit above may look all sprawled out. It was, and I figured out how to get the led and bypass working (which took about a week due to the small amount of time I put into it, daily) before I chose to clip the wires and shorten/bend them and re-solder the circuit. It would need to be smaller to fit into a box. I played with it; it worked; I was happy; and I decided it was good enough for a halfway descent wooden enclosure. I chose a triangular box structure idea with a light in the middle of it. It would have walnut corners and birdseye maple sides, top, and bottom.

The photo above is of the wood before I sawed it out, as well as the circuit as it was before I made it smaller. The isosceles triangle in the photo is the piece of Plexiglas I sawed out for the light. The led is bright, and the triangle does a fine job of both adding some to the looks of the box as well as dimming the light just enough.

When I bent/clipped the wiring and de-soldered certain connections in order for it to fit correctly in the enclosure, I accidentally soldered it back together wrong. It did not work, and it was not encouraging. I took a break from it for a while and then checked the circuit diagram I drew from the videos on YouTube. I found the problem and re-soldered the connection, and it worked. I used solder from RadioShack, the kind that is shiny.

For the record, the components I used are not exactly the same as in the videos. They are close enough; it works. I would suggest getting the exact components mentioned in the videos; anything else besides those may or may not work. Some components are interchangeable and some are not. The resistor is; I decided to go with a 100k resistor (the one for the circuit, not the extra one on the led) instead of a 10k, because the 10k kept giving out halfway through guitar notes. In order for it to work the best, I keep the guitar and the pedal turned up all the way, and the amp’s volume turned down to 2.2 or so. It is, as they said in the videos, a very loud pedal. It is best to have the volume all the way down on the amp when you first plug in the pedal.

The above photo is of the enclosure and the circuit. During the time of this photo, the circuit was not working; I did not have the bypass switches wired the right way, yet. Of course one could more easily add a bypass to this circuit with toggle switches; however, I did not have any and was anxious to complete the project. Here is a link to those wonderfully nostalgic power supply switches. Here is one for toggles. The copper wire I used is 24 gauge and I found it on Amazon. It can pick up radio wave interference without the enclosure, and does, so I recommend using red and black insulated wire instead.

The wood did not take me too long to saw out and sand, and I used clearcoat polyurethane on it instead of a stabilization process.

Here is a photo of the circuit after I got it working again.

You can see that the light is on. I used a liquid wood filler to correct the holes I drilled into the top of it for the 9v switches. In my design, I did not make enough room for the potentiometer and the switches, so I had to redo how I had it originally drawn. I was happy that it worked again and plan to practice chords and scales with it.

Here is a photo of the enclosure after I got the neodymium rare-earth magnets in it.

The magnets are not installed to perfection; however, they are close to it. I am impressed with the luck I had in getting them at least as close to perfectly placed as I did. I used a piece of paper to make a stencil to get them lined up right, and drilled their holes and fit them with superglue.

Was the project over? After days and days of working on it in the afternoons? No. The circuit worked great; it did everything I wanted it to do. The bottom of the enclosure fit great to the rest of the pedal. So what could have ‘possibly’ been wrong with the final project? The jacks. They bumped up against the side of the triangular box, so the cables would not connect properly when inserted. I solved the problem with a whittling tool, which means there is an extra hole in one side of the enclosure. Does it really matter? Not really, because it works great and does not really look too bad.

The tiny holes in the sides of it are for heat-release. The circuit does not really get too hot, yet I figured it a descent notion to not seal it air tight. Light does not really come out of those little holes. Even though the box is made of wood and is highly flammable, I do not intend on having it on and plugged in for a long time. If it starts smoking, I’ll unplug it. If it starts a fire, I will put it out with an extinguisher or a large wet towel. I’ve already played with it for over an hour; the circuit does not really get hot. I do recommend aluminum enclosures for building pedals; many kits come with those kinds of enclosures.

So, that is my fuzz pedal. I have spent the last few months revising my first collection of stories for a second edition of “Acoloftals”. The new edition is highly similar to the first one and includes a complete revision of this story; I made at least thirty necessary changes to the text and have revised it entirely twice, so far. That is what kept me from putting more stories on my blog, time-wise. Once it is done, I plan to write a screenplay. Here is the photo of the pedal in its distortion setting, one more time. It sounds just like the pedals in the videos. Total hard metal.

Thank you for visiting jcm3blog and have a nice day.

Thoughts on “A More Healthy Beat”

I wrote “A More Healthy Beat” for one reason -the ending. In reading about how to write stories, I often come across the same concepts more than one time. Advice for dialogue is almost always redundant, mentioning things like, “Characters should not utilize entire sentences, one character should not go on and on all the time, written dialogue presents more clarity than most every-day conversation,” ect…

Literature on writing stories always mentions plot, character, and setting development, as well as other techniques. One thing I have noticed in some of the more preferable stories that I have read was an abrupt, humorous or witty conclusion. This technique is advised by some as a near necessity for crafting stories. For this reason, I wrote this one.

I’m writing out this post; however, for another reason. Though a humorous conclusion is often applauded and enjoyed by many readers, I at times wonder if a more developed denouement is a far better choice from a literary perspective. It seems to me a simple joke or humorous play on words could be simply that, and a story should not have to include such an ending to be seen as more preferable than other stories.

To each their own, I say, on this. If you have a good idea for a story, write it out. If you can think of some form of in-depth or ironic conclusion and are worried the story may sound like a shallow joke, go ahead and write it anyway. Chances are someone will enjoy it, and you can further develop more in-depth concepts for better ideas afterwards.

Thank you for reading. 🙂

A More Healthy Beat

The night was cool and crisp and the weather was nasty. A tunneling mist blew leaves in front of the two officers, in front of an eighty-year-old street lamp in front of them. The night was also very dark in the woods across the way, except from part of the light of the street lamp. Noting the nostalgia of the old street light, the female officer looked up to its salmon glow to see its metal curls turned green from mild surface corrosion.

“Nice street lamp,” said Officer Lilac, the female, with a sniffle.

“Nice, indeed,” said Officer Attens, a large male police officer who was also her partner, “I am going into the small shop behind us to get us a coffee.”

“Okay.”

Officer Attens entered the small store, as Officer Lilac endured the scenery. They were used to policing various areas of town on foot, usually bringing in criminals during nocturnal hours.

Within moments, Officer Attens returned with a small package in his pocket and two cups of steaming coffee with sugar and creamer added.

“Thank you,” said Officer Lilac.

“No problem,” said Officer Attens, handing her her cup of coffee. He then proceeded to pull out the small package.

“What’s in the package?” asked Officer Lilac.

“The cashier said the coffee was complementary. I thought it was the uniform. He said it was complementary so long as I made a purchase. So, I killed to birds with one stone.”

“How so?”

“Well, I got us both a coffee, and I got you this.”

Officer Attens handed Officer Lilac a package of allergy lozenges.

“Why thank you,” said Officer Lilac, “I was starting to get a sniffle. What possessed you to get these for us?”

Officer Attens chuckled and said, “I am of the mind that we should be catching criminals, not colds.”

Hobby Photos

I have four photos to share. One is of the chess board I made above. The sixty-four squares are made of poplar wood. The dark squares are dipped in a polyurethane coating I had yet to experiment with. It is not translucent in any way, which I was, in a way, hoping it would be, yet it will surely suffice for the dark squares of the board. The light squares are dipped in clear coat poly. The photo is not actually the final product, as I poured two more coats of clear poly on it. The squares were not totally perfect squares, causing the board to have small gaps. I wanted to fill the few gaps so the top surface would be smooth enough to dust with a microfiber cloth and not to be cleaned with a vacuum cleaner.

The base the squares are glued to is made of an inexpensive, thin plywood, yet the surface on the bottom of the board looks very nice, especially for its cost, and was obtained from Home Depot. If you notice the four holes in the corners of the board, they are there for functionality reasons. They look neat, yet I wanted to be able to get the board to a table from a wall and back again in a small amount of time if necessary. I thought the concave curves on the four edges added to the board’s aesthetic value, a sort of alien look, and am glad they came out without much flaw.

It is the first chess board I have made with wooden squares. Not too much of a hassle when compared to other project ideas I have in mind for chess boards. I am happy with the final result, so far. It should be dry within seven days or so, and will be totally dry within forty, in all considered probability.

Though I have a job and attempt to spend time off work reading (about writing and partially for pleasure) and writing and do, I also [at times] work some with wood projects/electronics. Below is an idea I had for someone for Christmas in 2016. Now far enough into 2017 for it to be nowhere near Christmas-time anyway, I still could not get the idea out of my mind, so I went ahead and processed the material. I hope the recipient of the box enjoys it, even if I ‘sort of’ made it to test the dye.The wood is stained with a water-based blue dye obtained from WoodCraft. The wood itself is an inexpensive hobby ‘white-wood’ plywood sold at Walmart for small picture frames and totally useful for most small box projects. In order to get the box looking at least as good as it does, despite the corners having no dove tails, I sanded it and re-coated it more than once. I made sure the corners were rounded, yet I left the lid mostly trapezoidal. The box has eight magnets for the lid to close/open, and I went with two steel wires instead of an actual hobby hinge for functionality reasons.

The lining is an inexpensive fabric I got from Walmart a few years ago for Christmas projects, ect. It is shiny on one side, so I was pleased with being able to use it for the project and think it came out nice enough. I sewed the corners and top of the fabric by hand into seams and used superglue to secure it within the box. I also used superglue for joining the planks of wood together. I have actual wood glue, yet I usually just use superglue. It will dry very quickly and still bonds wood corners with good strength. With wood glue, it is best to clamp pieces together and wait a day or two for the bond to dry. I’m not sure if I would do that, even if I was retired with nothing to do. At all.

The braided wire on the top of the box is a four-braid steel wire idea I chose over a knob, because the little knobs I got for making other boxes had a long screw I was unable to saw in half. I liked the idea and the final looks of the braid, so I was happy with the final result. On top of the dye is clear coat polyurethane to present a gloss finish. I was worried that the poly would turn the dye green, yet it did not, to my joyful surprise. Even if the box carries an amount of character, I was happy with the final result.

Here is a photo of a houseplant I got yesterday.

 

The last thing I needed was another plant to care for, yet this one caught the passionate side of my eye. After looking up “Celosia” on the web, I read that the leaves can be used for stew. I have four grapefruit trees I grew from seed that are over a year and a half old and are almost four inches tall, now, as I have cared for them, and my other house plants, daily. I also have a purple basil plant (in the old photo I still use for the header of jcm3blog), now about three years old. I am happy with it (the basil plant) and surprised I was able to keep it alive this long. The purple basil has one branch that is totally purple, so I think it is pretty impressive. For about four months, it was almost entirely green. I have a dark chili-pepper plant that makes little lavender flowers. It actually somehow was pollinated and I witnessed the development of small, spherical, red chili peppers that will probably fade to black upon their ripening.

Years ago I attempted to force pollination with pumpkin flowers and it did not work out (as I did not choose to use cubiculum, or bee feet), so I was surprised to see little chili peppers with no attempt in trying to pollinate the flowers. I think the process may have occurred from misting the plants.

This year, for Christmas 2016 visitors, I got an evergreen tree/bush. It is about three feet tall and is living, though I have yet to change its 35 some-odd pound soil mixture. Why would I even possibly need another house plant? Well, this about the best time of the year to get one -between now and about ten weeks from now, I think. This plant (the Celosia) caught my eye, as well as did another dozen, yet I chose it and plan to keep it healthy. It is an impressive plant, as its stem is lucid redish-pink in hue, and its flowers look like feathers. One way or another, I hope you like the photo of the Celosia.

Thank you for reading this post. On a personal note, I have been busy reading yet recently did write a sci-fi story after reading Ben Bova’s book on how to and plan to edit it soon enough. I am still working on my fantasy novel and plan to write some other stories and a sci-fi novelette or two as well, soon enough. Click the diamond below to check out one of the world’s best publications of sci-fi and fantasy. Have a nice day. 🙂

A Personal Hello

Howdy folks. It has been a while since I posted a personal set of sentences with regards to the on-goings of my current endeavors.

This last year was an exciting one for me, and I hope 2017 will be as rewarding. I am a dishwasher. Though I love cooking and have cooked for restaurants; for now, I wash dishes and help out around and in a kitchen. I know it does not sound too exciting, yet I work with a special group of interesting people, all intriguing in their own way.

So how could I claim to know anything about writing or pursue it, at all? Well, I have always enjoyed a wonderful story. From the first C. S. S. Lewis and J. R. R. Tolkien books I read as a child, to the best-sellers full of action, and the classic novels, and importantly, the books on writing, I have enjoyed the consideration of the craft.

Recently, I read that, if we were to all go over to the Smiths, adding an apostrophe to the end of their name would not be necessary. Simple enough; I did not know it, though.

Lately, I have been reading a few grammar books and a few pages of books I read cover to cover on, well, writing. Last year, I wrote 55% of a fantasy novel I plan to continue working on, eventually, and it dawned on me that I was writing with less grammatical authority than I once carelessly played with. Though the novel is important to me and will probably be enjoyed by most who read it (I hope), I put it aside for a few weeks to work on other things.

When I made the shelves you can see here in another post, I had some left-over wood. I thought about making small wooden items and dove into a wood-working hobby. I made a few things I liked. The other items maintained a classic sense of character.

Towards the end of the year, I decided I was rushing the fantasy novel and chose to set it aside to cool off a while. As said, I mad the decision for more than one reason. I wanted to read a little more on writing to improve my technique, yet I also realized I never received publication from anywhere. Sure, I self-published a collection of stories with Amazon, yet I felt as though I would enjoy pursuing becoming a published author another way.

I wrote two stories. One was a fantasy story, and the other one a story with a talking plant and an alien. I liked both of the stories and sent them to a publication that turned them down. No big deal; the stories were not what they were after. I still have both stories and have one of them posted for review in a writing workshop, here. The workshop is great. I can review stories and offer helpful advice, as well as see what others say about what little work I have posted there, so far.

Excited with the extra time it made to set the fantasy novel aside, my mind flooded with many ideas for new stories. I have always liked fantasy the most of the genres of fiction. I liked sci-fi, too. I decided that sci-fi allows for more creativity, and chose it as my favorite genre, because anything can happen anywhere with any kind of being within its realm of consideration.

These things taken into consideration, I remembered a list (here, under qualifying markets) of publications trusted for their publishing history with sci-fi and fantasy. I decided to look into “The Magazine of Fantasy & Science Fiction”, as they have been publishing since 1949. I subscribed to their publication after reading the December issue, and the publication impressed me with the quality of its stories. No doubt, it is no easy task to write a story that compares to the ones they choose to publish. I decided to give it a shot, anyway.

I wrote down an outline of what I thought would be a great sci-fi story. I liked the 25,000 word limit. With a novelette, an author can include plenty of description within a story, including characters and setting. As I wrote down the outline for my idea, I watched “Ancient Aliens” on the History Channel. It was a re-run, yet I could not help but to consider an intriguing story inspired from the interesting show. I wrote down a quick outline, thinking I would simply write the story out into about 5,000 words, then work on the more important sci-fi novelette.

The next morning I woke up and began writing out the story. 9,000 words into it by the afternoon, I realized I should go ahead and think of it as a novelette, because I had yet to get to the mid-point of the story. The paragraphs near the end were the driving force behind the story, and I eventually was able to include those notions. Four or five days later I finished the novelette, and it contained 22,200 words. A real feat, for me, as my previous word-count record for a single day was about 4,000 words. My goal is usually 2,000 while working on a novel (not that I have ever finished one).

I had the novelette written and another one to do. I spent five weeks re-writing and revising the work. I finally decided it was good enough and submitted it to the publication. They rejected it about ten days later; I may review it a few times and send it elsewhere to attempt its publication. I like the novelette; that is why I spent so much time trying to make its text flawless.

That pretty much brings us to the present with my on-goings. I like my job and love to write. I made a few wooden Christmas gifts this year and people liked them. I am participating with oww to review and post work, and I plan to continue with efforts for completing the fantasy novel as well as my primary sci-fi novelette idea. Though I have still as of yet received publication for a work of fiction; it will be a goal for a while. I have played a bit of chess this year and continue to learn more with how to play the game in a more efficient way.

Thank you for reading. Live long and prosper. 🙂

The Punisher Opening

Simply stated, in this opening white moves out the two central pawns two spaces, and the to knights to the center of the board. If you turn the board around, you can see that the knights resemble two eyes and the two pawns resemble teeth. The idea of a skull came to mind, so I call this opening the Punisher Opening. Upon these first four moves, the opening also involves moving the king-side bishop to protect the king-pawn, then castling.

The order in which the first four pieces are moved varies depending on the moves of the opponent, yet I have found it to be the most effective to move the king pawn first and go from there. this is one of the most effective openings I use while learning more about the game, and it is easier to explore than many I have seen in books on chess.

The Punisher Opening is a variation of a four-pawn sacrifice opening explained by Kasparov in one of his books on chess. In his book, he recommends lining up bishop-knight-knight-bishop on the four central squares from c4 to f4. While this can be a highly effective technique, I have found the Punisher Opening to have its advantages, especially when playing against more advanced players or against nc3bb4.com.

I have used this opening nearly every match I have played, lately, and have found it difficult to find a more preferable or efficient way to play the game. It is good for castling early in the game, as well as planning an efficient, safe attack to obtain checkmate.

The recommendations above mention six possible first moves for white. You can also usually use this opening easily as a defense when moving second, depending on the first moves made by white. While playing the Punisher Opening on the white side, plenty of moves can be made by the opposition. Such moves are easily defended against and usually can lead to winning an advantage in the game.

Two most common defensive strategies for the opening involve pinning one of the knights (or both) with a bishop on the b4 or g4 square. I recommend moving a pawn up one space on either side to attack the bishop, while the white knights are still protected by pawns. The other moves I make often with this opening are the outer pawns. Moving a pawn to a3 or h3 (or both) keeps the black knights from forming fork attacks early in the game.

After setting up power in the center of the board with this opening, it is usually best to consider the development of the bishops. The king-side bishop can be placed in front of the king or the queen for castling, or even c4. I usually move the queen-side bishop to e3 or f4. Remember to consider the two central pawns. They can be sacrificed or used for attack or both, and are usually protected by both knights and the queen. The king-side pawn, while protected by the king-side bishop ‘can’ rise some complication, because the queen is no longer able to protect the pawn in front of her if the bishop is protecting the king’s pawn. Her pawn is still protected by the knight on the right side, yet it is usually best to keep him there for defensive purposes, especially when castling on the king’s side. One way or the other, with cautious examination of possible moves, these combinations can easily lead to an early-game advantage.

I have found the Punisher Opening to be a highly effective technique and encourage you to explore it as I have. Thank you for reading this post. I hope you enjoy the Punisher Opening – I think of it as one of my favorite strategies.

If you would like to see an example match, one in which I won against stockfish on level four (of ten levels), break out a notation board and play out the score and score analysis below. You will notice several instances when both the computer and myself had better moves, yet the opening is played partially well, and I did win the match.

[ score:

1.e4Nc6
2.Nf3h6
3.d4e6
4.Nc3d5
5.Bd3Nb4
6.a3c5
7.axb4Nf6
8.bxc5Bd7
9.Bb5Be7
10.Bxd7+Nxd7
11.O-Ob6
12.c6Nf8
13.h3dxe4
14.Nxe4a5
15.Bf4Ng6
16.c7Qc8
17.Bg3f5
18.Nc3O-O
19.Nb5f4
20.Bh2Rf6
21.Qd3Qd7
22.Rad1Qc8
23.Rfe1Qe8
24.g4fxg3
25.Bxg3Kh8
26.Nh2Qc6
27.Ng4Rf5
28.Ne5Nxe5
29.dxe5Rf7
30.Qg6Kg8
31.Rd2Bc5
32.Red1Be7
33.Rd7Rc8
34.Rxe7Rxe7
35.Rd8+Qe8
36.Rxe8+Rcxe8
37.f4Rc8
38.c4Rcxc7
39.Nxc7Rxc7
40.Qe8+Kh7
41.Qxe6h5
42.Qxb6Rf7
43.Qxa5Re7
44.e6Rxe6
45.Qf5+g6
46.Qxe6Kh6
47.f5h4
48.Qxg6#1-0 ]
     Score Analysis:

[Event “Vs. Computer”]
[Site “Chess.com”]
[Date “2017.01.16”]
[Round “1”]
[White “Guest”]
[Black “Computer Level 4”]
[Result “1-0”]
[ECO “B00”]
[CurrentPosition “8/8/6Qk/5P2/2P4p/6BP/1P6/6K1 b – – 0 48”]

1.e4 Nc6 2.Nf3 h6 3.d4 e6 4.Nc3 d5 5.Bd3 Nb4 6.a3 c5 { (+0.20 → +3.56) Blunder. The best move was 6… Nxd3+. } ( 6…Nxd3+ 7.Qxd3 Nf6 8.O-O Be7 9.Bd2 O-O 10.e5 Nd7 11.Ne2 ) 7.axb4 Nf6 { (+3.50 → +6.26) Inaccuracy. A better move was 7… c4. } ( 7…c4 8.Be2 Bxb4 9.O-O Nf6 10.e5 Nd7 11.Bd2 a6 12.Nb5 ) 8.bxc5 Bd7 9.Bb5 { (+6.79 → +4.78) Inaccuracy. A better move was 9. Ne5. } ( 9.Ne5 Bc6 ) 9…Be7 10.Bxd7+ Nxd7 11.O-O b6 12.c6 Nf8 13.h3 dxe4 14.Nxe4 a5 15.Bf4 Ng6 16.c7 Qc8 17.Bg3 f5 18.Nc3 O-O 19.Nb5 f4 20.Bh2 Rf6 21.Qd3 Qd7 22.Rad1 Qc8 23.Rfe1 Qe8 24.g4 fxg3 25.Bxg3 Kh8 26.Nh2 Qc6 27.Ng4 Rf5 28.Ne5 Nxe5 29.dxe5 Rf7 30.Qg6 Kg8 31.Rd2 { (+10.90 → +5.18) Mistake. The best move was 31. Nd6. } ( 31.Nd6 Bxd6 32.exd6 e5 33.Rxe5 a4 34.Qxf7+ Kxf7 35.d7 Qxc7 ) 31…Bc5 { (+5.59 → +12.02) Inaccuracy. A better move was 31… Qxb5. } ( 31…Qxb5 32.Qxe6 ) 32.Red1 Be7 33.Rd7 Rc8 34.Rxe7 Rxe7 35.Rd8+ Qe8 { (+19.60 → +21.11) Inaccuracy. A better move was 35… Re8. } ( 35…Re8 36.Nd4 ) 36.Rxe8+ Rcxe8 37.f4 { (+30.38 → +14.10) Mistake. The best move was 37. Nd6. } ( 37.Nd6 Rf8 38.c8=Q Rxc8 39.Nxc8 Kf8 40.Nxe7 Kxe7 41.Qxg7+ Kd8 ) 37…Rc8 38.c4 Rcxc7 39.Nxc7 Rxc7 40.Qe8+ Kh7 41.Qxe6 h5 42.Qxb6 Rf7 43.Qxa5 Re7 44.e6 { (+23.08 → +14.49) Inaccuracy. A better move was 44. f5. } ( 44.f5 Rf7 45.e6 Rf8 46.Qe5 h4 47.e7 Re8 48.f6 gxf6 ) 44…Rxe6 45.Qf5+ g6 { (+127.74 → +318.00) Inaccuracy. A better move was 45… Rg6. } ( 45…Rg6 46.Qxh5+ ) 46.Qxe6 Kh6 47.f5 { (Mate in 2 → Mate in 2) Excellent. Faster mate A better move was 47. Qg8. } ( 47.Qg8 g5 48.fxg5# ) 47…h4 48.Qxg6#
1-0

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