I recently wrote a quick review on Goodreads for a book I not only enjoyed but was glad I read.
It is here.
Have a nice day. 🙂
I recently wrote a quick review on Goodreads for a book I not only enjoyed but was glad I read.
It is here.
Have a nice day. 🙂
On a personal note, I must mention a few things before I get into what I think about “The Age of Myth”. As an aspiring author, there exist many bridges I have yet to cross. When people read my work they often mention they enjoy it, such success is what I can be happy with, for now, as I have yet to sell over a dozen copies of my first novel and am still working on its re-write and my next one (a fantasy novel). I critique literature all the time, for an annual story contest, and enjoy analyzing stories’ plot structure, character and scene development, over all delivery, literary techniques.
I think I first came across Mr. Sullivan when searching for fantasy titles on Amazon, however it may have been when I read an article he wrote for Writer’s Digest. Within the article he mentioned several great tips for authors and explained a few things writers can benefit from with Goodreads. He also mentioned his blog and I checked it out. I even dropped him a few lines and he communicated with me, to my surprise.
Since then he shared “The Jester” with me, which I read and gave him some feedback on, not that the story was in dire need of a grammatical redo. I purchased “Theft of Swords” and read, maybe, the first fourteen pages, and liked it. He accepted my friend’s invite on Goodreads and since then I have promised myself that I will impress Mr. Sullivan (as well as others) with my fantasy novel, by the end of 2016. He answered a few of my e-mails and even gave me advice from time to time on writing, so I appreciated the communication. He is and will remain one of my top five favorite authors; I like a lot of published authors, living and gone, so narrowing down my favorites is not always easy.
As I do what I can to learn what I want to know, in the real world, with science, and as I read, study writing techniques, write stories, and work a job which does not involve writing or any varied form of erudition whatsoever, my hobbies are important to me and keep me busy. Like many, I have my reasons for my own goals. These things being said, time continued to fly by during the last parts of 2015 and the first of 2016, and I really wanted to read and review a book written by Mr. Sullivan.
Already owning one or two of his books, they were the e-book editions, and I realized that I usually read physical books with much more fervor than e-books. I inquired as to which book would be a good start to read out of the books Mr. Sullivan has written, and he let me know that he was working on a set of five books, the first one being a good one to read, as it was a stand alone novel of sorts. From what I understand, there may also be a sixth book of this series on the way, according to wiki.
Excited, I decided to get my very own copy of “The Age of Myth”, pre-ordered a signed copy for myself and another copy for my alpha reader weeks before the book’s release date. I simply could not wait to get my hands on that book – June the 27th just could not have come any sooner. Low and behold, however, June the 27th did come, and I received the two books I ordered within good time.
I gave my buddy her copy and began reading mine, could not really put it down without at least finishing the chapter I was on. One thing I liked about “The Age of Myth” was the chapter setup. Each chapter was not too long yet usually nearly a story all its own. I am no speed reader, so to have already finished the book within a 6-month time frame is somewhat of an accomplishment, for me. I think I read about a chapter a night and maybe two chapters on some days.
Usually, when I do a book review, or when I read a book I know I am going to want to do a review on or for, I take notes while I am reading the text. Often times this is because of independent author books which can easily contain many stylistic and ‘flow of story’ questions. Knowing that this is Mr. Sullivan’s first book published by a major publisher, and congratulations to him for that, for we as fans are all happy for he and his wife’s success, I could not wait to see whether I would have much to say about the writing style or story structure.
Little did I know, beta readers read pre-release manuscripts and the publishing team considered their opinion before the book’s publication. It was not simply critiqued by an editor, re-written, and thrown on the shelves with a price tag; a great deal of work went into the final published manuscript of “The Age of Myth”.
I took notes, anyway, and they only spoil the story, which in many regards, impresses me. I found close to nothing at all that I would change within the confines of the book’s cover, and resorted to keeping a summary of events chapter by chapter. Awesome cover. The book painted a real world in my imagination, as if these events actually occurred during some time frame in geologic history. The sole thing I would mention on the text if I were a beta reader would be the double mention of the straw hat – I am not sure, yet I think we heard of the same hat twice or more, and the second time it could have been mentioned in a revised way.
Other book reviewers mention the impressive ending – I could not wait to experience what they were talking about. I did. For me, the conclusion was like a grand finale in an action film. Magic meets science fiction with nature. Characters which are godlike and can weld the forces of nature go to war with each other, standing for and against the political demands of a ruler. Michael J. Sullivan uses beautifully created characters; the book presents many conflicts and dilemmas, all finding satisfactory solutions. The ending was very impressive, and I am amazed with the gifted talent and creativity of Mr. Sullivan.
One thing I enjoyed about “The Age of Myth” was the way the ‘good side’ won within nearly every conflict. Characters do incur tragic deaths, and there are things that happen or happened to innocent people, however as I clung to my favorite characters within the stories, they usually survived, after all.
One thing I did not see the book portray was an in-depth relation to Old English or rhunic-like writing, and not too many poems. The hard, honest truth has been, and probably will be, that close to no one will ever actually ‘out do’ professor Tolkien, his studies with the origins of English, his historical contributions to fantasy which has inspired us all for decades.
A more positive look upon this work has to do with its readability. If you enjoy the writing style of John Grisham, you will absolutely love this book (given you are wanting to read about magical gods and prehistoric survival stories as well as court-room thrillers). It was simple and straight-forward enough for reading within a small amount of time, while still being able to present an intriguing world with life-like characters.
In regards to the characters, as said, they seemed real. The book uses three main groups of characters including people (Rhunes), god-like people (Fhrey), and god-like people who weld the forces of nature with magic (Fhrey which are Miralyith). These three groups do not always get along, due to territory and social reasons, yet witnessing their interactions was a fun and enjoyable experience.
I definitely recommend this book to anyone wanting to read a fantasy novel. As far as comparing it to other fantasy tales goes, I hope people read it for what it is and appreciate it for the value it holds individually. I think of it as separate from other fantasy stories and I like it that way. I also enjoy the works of Margaret Wise and Tracy Hickman and plenty of other famous authors, however I like to think of “The Age of Myth” as separate from other works and styles. I like it for what it is, all by itself, and cannot wait to read the next four or five books in the series when possible.
The map in the first book is somehow helpful to visualize where the humans and gods travel. The book also includes an Author’s Note before the first chapter and a Glossary of Terms before the Acknowledgements section in the back of the book. The glossary is helpful and worth reading before reading the book, as the characters and places are easier to understand with even more ease that way.
Without further ado, I will share my chapter by chapter summary of the book’s entire text. If you are planning on reading “The Age of Myth” and do not want to spoil the story, skip over the blue text. If you have already read the book and want to read a quick summary of events before reading the next book during the summer of 2017, come back and read the blue text (all hypertext in this review, burgundy). I may do such a thing, too.
Chapter 1, “Of Gods and Men”
Incredible. A father and son duo are presented with a dilemma and tread on forbidden soil to find better ground for hunting and farming and are found by a group of characters. The son is Raithe, and his father is Herkimer. A god, a Fhrey, sees the two men, or what the Fhrey call Rhunes, and order them to drop their weapons. There are two slaves with the Fhrey. Herkimer would not drop is sword even after pleading to leave, and one of the Fhrey kills him. Raithe attempts to avenge his father and is able to do so when one of the slaves, Malcolm, bonks the Fhrey over the head with a big rock. The other slave leaves with the dead Fhrey’s horse to go speak of these events to his brethren, so Malcolm and Raithe now have met and will endure many adventures together. They spend the rest of the day giving Herkimer a proper burial and flee by swimming across a cold river to hike through a dark forest.
Chapter 2, “The Mystic”
The story introduces Surri, the mystic, and Minna, her large white female wolf. Surri meets Persephone, a major character in the tale. Surri informs “Seph” (Persephone) that a wave of death of sorts is on the way. The reason Surri traveled to Dahl Rhen, a Rhune village surrounded by a large wall, was to relate this information. When Seph asks of Tura, the ancient mystic, Surri informs her that Tura is no longer living, that by Turra’s request Surri cremated her.
Chapter 3, “The God Killer”
When Raithe avenged his father, killing Shegon, word spread and he was known as the God Killer. He and the ex-slave, Malcolm, travel through the dark forest living off of bugs and tree bark or the occasional rabbit. After a week or so, while starving in front of a fire, the two hear noises far into the woods. Somewhat alarmed, they search out the noises, thinking it could be leshies (forest spirits). They find a travelers’ lodge and smell cooked food. Of course they would take their risks – they were hungry. In the lodge, Raithe admits to avenging his father and Malcolm tells a fancy story. A large man challenges Raithe. Raithe wins the fight, and he and Malcolm eat cooked food.
Chapter 4, “The New Chieftain”
Within Dahl Rhen, a man named Konniger challenges Seph’s husband, Reglan, the current Chieftain of the Dahl, and wins, killing the man. In doing so, Konniger disappoints Padera, the oldest woman of the Dahl.
Chapter 5, “Before the Door”
Fhrey which practice magic are Miralyith who learn the Art. In this chapter, Nyree, a Miralyith, speaks with her daughter, Arion, also a Miralyith. Students of the art play a prank, flooding a celebration with a great deal of water. Arion is to train the son of the Fane, prince Mawyndulë, in the ways of the Art. It is a prestigious invitation for her to do so. Upon her departure she meets Trilos and converses of the door to a garden which protects the oldest tree. We learn later that Trilos has a special connection with those whom can use the Art.
Chapter 6, “Rumors”
Seph talks with Surri about speaking with Magda, the large oak, on the cover of the book (again, nice illustration), for advice. The Fhrey have supposedly attacked and burned two other Rhune villages; Konniger decides to keep the inhabitants of Dahl Rhen there.
Chapter 7, “The Black Tree”
Seph, Surri and Minna trek to Magda. Raithe and Malcolm hiked through the forest and found Dahl Rhen. Seph and Surri were found and attacked on a steep, slippery waterfall by three men from the Dahl. Raithe and Malcolm defend the women; two of three men die; and the last one returns to the Dahl.
Chapter 8, “Asking the Oak”
Seph, Minna, Surri, Malcolm, and Raithe make it to Magda. Surri says the tree says three things. They are to follow the wolf, heal the injured, and welcome the gods.
Chapter 9, “Tight Places”
After leaving Magda, Surri and Minna leave the others to go home. Seph, Raithe, and Malcolm attempt to follow a ridge back to the Dahl and get lost and attacked by a pack of black wolves. Surri and Minna come back and help fight off the wolves and lead the other three to a big water fall where all five leap. They find an old Dherg cave with a hard-to-open door and stay there. The wolves find the door but cannot get inside. The big bear, Grin, a possible demon or symbol of Death, tears three of the big wolves apart, including the pack’s leader, which Surri seemed to know, Char, and leaves. The cave includes Dherg writing and a glowing emerald, along with an old shield Raithe trades for the one he had. Raithe continues to carry the sword he attained from avenging his father, made by Fhrey, as well as the halved copper sword of his dad.
Chapter 10, “The Galantians”
Seph, Raithe, and Malcolm make their way back to the Dahl to answer questions about the two dead men on the waterfall slope, and the Galantians, a rebel group of Instarya Fhrey, come to the Dahl in search of the God Killer. Raithe explains to their leader, Nyphron, that he avenged his father. He and Nyphron have a sword fight, and one of the Fhrey puts a stop to it. Seph welcomes the gods.
Chapter 11, “The Tutor”
Arion tutors prince Mawyandulë with juggling rocks to teach him the Art. He seems to miss the point as he has trouble juggling them even when he can command them with the Art. Gryndal, a pompous Miralyith, is introduced. Lothian, the Fane, sends Arion to retrieve Nyphron, and he sends Gryndal with the prince to secure the frontier, eventually.
Chapter 12, “Gods Among Us”
This chapter is where I had the ‘hat question.’ On page 176, ‘a big’ could have been ‘the big,’ if the straw hat was the same hat as mentioned before. Nyphron and the Galantians are in the Dahl with Surri, Minna, Raithe, Malcolm, and Seph. Seph speaks with Konniger in a lodge meeting. Seph tries to give good advice and Tressa, Konniger’s wife, and others, think Seph is trying to take over. Seph denies the orders of the Chieftain to ask the Galantians to leave.
Chapter 13, “The Bones”
An important chapter, woman speak about the politics of the Dahl together in a round house. Raithe and Malcolm are there, as well as Surri, and all are sewing wool. Surri asks for bones of a chicken to attempt to predict what may happen. She burns them at dusk and reads them. The bones seem to indicate that a wave of death is on the way. Surri thinks Grin is coming to kill off the Dahl, or maybe worse. She hears a big bear scare a flock of birds.
Chapter 14, “Into the West”
Arion travels with Thyme from Estramnadon to Alon Rhist. Thyme is her guide to get there. She, at one point, falls off her horse into a pool of water, proving that even a Miralyith can experience physical harm. Thyme stays there and Arion departs alone with no soldiers, as she has mastered the Art. She burns a lock of Nyphron’s hair to find is local and soon finds Dahl Rhen.
Chapter 15, “The Lost One”
Women organize to go to the well in the Dahl, as Galantians camp out near the water. The sexy, well-endowed Moya meets Nyphron. More Fhrey arrive in search of the God Killer; Nyphron sends them north. The Fhrey let Nyphron know Arion is on her way to retrieve him. Surri enters the lodge to ask Konniger about Grin, as she intends on performing an exorcism to release a Morvyn (evil demon). Surri is told to leave before she has a chance to speak with Konniger.
Chapter 16, “Miralyith”
Arion travels to Dahl Rhen. She finds Nyphron and he will not return with her to the Fane. Arion bonks other Galantians into an invisible wall and binds Nyphron with the Art to bring him to the Fane. Malcolm bonks her head with a large rock from behind and she falls to the ground bleeding. Seph tells Nyphron not to let his giant kill the Miralyith (heal the injured). People bring Arion to a bed to heal in the lodge. Surri bandages Arion’s head while Arion is sleeping.
Chapter 17, “The Boulder”
Imaly speaks with Fane about Fhrey upheval. Fane sends Gryndal and the prince on a quest to secure the frontier. Gryndal speaks with Trilos about the Art, the door, and a boulder.
Chapter 18, “Healing the Injured”
Arion awakens in bed to learn of the woman caring for her and has lost her powers with the Art. The women care for Arion in shifts. Arion holds conversations with Surri.
Chapter 19, “Waiting on the Moon”
Gifford, the cripled man, gives Roan a nice clay jar. Moya, not wanting to marry a certain man, tries to convince Seph to become Chieftain. By the rules, a woman can become Chieftain so long as a man can represent her for battle. The woman have a long conversation and Raithe and Malcolm learn more about sewing wool. Raithe goes to the forest to chop down a tree, and the Instarya Fhrey, Sebek, challenges him to a sword fight. Sebek uses two swords in combat. Sebek won the sword fight three times, leaving Raithe alive. Raithe goes back to working on the tree with a real axe, something he had yet to use before, as back in Dureya Rhunes only had sticks with rocks on them for felling trees.
Chapter 20, “The Prince”
Gryndal and Mawyndulë set out on the frontier. They discuss politics and the practice of the Art. Gryndal speaks of Mawyndulë’s father, the current Fane, Lothian, and speaks of his possible assassination. Upon finding the extinguished grounds of a Rhune Dahl, the two discover a few men and a woman, hiding under some boards. Gryndal uses the Art to knock the boards away and snaps his fingers, exploding and killing what was left of that Dahl’s clan. Gryndal and Mawyndulë travel on toward Dahl Rhen.
Chapter 21, “The Full Moon”
Surri and Arion talk about Grin. Arion sees Surri light a candle with the Art, something Arion thought was impossible for a Rhune to do. Surri leaves Minna with Arion and departs to perform an exorcism on Grin, to remove the morvyn from the bear.
Chapter 22, “Curse of the Brown Bear”
Surri and The Keeper of Ways, Maeve, set out to find Grin. Konniger and Seph have a long conversation on Maeve’s daughter with Reglan, Seph’s deceased husband. Later we figure that Maeve’s daughter was probably Surri; Seph had no knowledge of her husband’s being unfaithful. Therein lied the reason the baby was left in the forest; people thought the baby may have turned into a bear. Maeve had previously taken dead bodies to the bear, as people died during a hard winter. Seph, Raithe, and Malcolm follow Minna towards the cave to try to save Surri and Maeve.
Chapter 23, “The Cave”
Surri and Mauve make it to the cave. They wait for him, and Surri puts salt on the ground to deflect the demon. Arion wakes to exit the lodge and is sore. She finds Nyphron and bargains with him, forgiving him for her head injury, sending him and the other Galantians to save Surri and Maeve from Grin. The Galantians agree to go, as it will keep Arion from trying to bring them back to the Fane.
Chapter 24, “Demons in the Forest”
Maeve and Surri wait in the cave for Grin. Maeve thinks Surri is her daughter. They talk about the hard winter and continue to wait for Grin.
Chapter 25, “Trapped”
A great deal of action occurs in this chapter. As Seph, Malcolm, and Raithe are running through the night, Minna breaks free and runs to the cave. Konniger and a bunch of his drunk men ambush and surround the other three. ‘Stuby’ tries to save Seph and Konniger kills him. During the attack, Malcolm delivers a blow to Konniger with a shield, and Seph flees by Raithe’s recommendation to the waterfall cave. Konniger chases her all the way there in the darkness.
As Malcolm and Raithe fight off the attacking men, the Galantians enter the scene and annihilate the attacking Rhunes only to travel down a path to Grin’s cave. In the cave, Grin knocks Maeve into a wall hard. The bear tries to get Surri but she is too close to the wall. Minna enters the cave and bites the huge bear in the rump; Surri calls the fire spirits with a clap of her hands, setting Grin on fire. The bear flees; we eventually learn that she jumps off the waterfall burnt and stinky.
Once the Galantians get to Grin’s cave, Maeve is for sure deceased and Surri and Minna are okay. Malcolm and Raithe try to find Seph in the waterfall cave. The chapter ends with only Seph and Konniger behind the waterfall in the darkness, him trying to find her while she is both exhausted and terrified.
Chapter 26 “Beneath the Falls”
Surri and Minna check on Maeve who speaks and dies. Raithe, Malcolm, and the Galantians find Surri who agrees to lead them to the Dherg cave to attempt saving Seph. Grin finds Konniger and tears him to pieces. She tries to enter the door of the cave. Seph finally figured out how to open the cave’s stone door, and Grin gets trapped in the door as it is closing. The huge bear would have been able to open the stone door, however Seph beat the bear repeatedly with a shield. Grin died, staring into the emerald of the Dherg cave. Seph sleeps on the shield.
The Galantians, Raithe, and Malcolm find Seph. Raithe finds Seph sleeping on the shield and thinks she is not alive, kisses her on the forehead waking her up. Nyphron and the other Galantians marvel at the inscriptions in the cave and their small goblin creature acknowledges the markings as old Dherg inscriptions.
Chapter 27, “When Gods Collide”
The grand finale of the book is within this chapter. The final events take place in Dahl Rhen. Seph, Malcolm, Raithe, and the Galantians return to the Dahl to find the Rhunes organized in a group in front of the lodge dismally. Gryndal steps out with Mawyndulë to face Arion and the Galantians. Gryndal brings Nyphron to his knees with the Art and orders the Galantians to slay the rhunes. Arion uses the Art to protect Seph and the others. Gryndal uses the Art to kill the Nyphron’s small goblin creature. Gryndal and Arion battle each other with the forces of nature. Surri catches Gryndal on fire, which distracts him. Minna attacks Gryndal, tearing his facial piercings, distracting him more. Raithe saves Minna from Gryndal’s ‘ground magic’ move. Gryndal attempts to strike Raithe with a bolt of magic from the sky; Raithe deflects the bolt with his shield, directing it to Gryndal. The bolt paralyzes Gryndal, and Raithe chops of Gryndal’s head. Arion forces Mawyndulë and his troops to return to Estramnadon. Nyphron’s giant was placed in a magic bubble and Arion had forgotten to release him. After Gryndal was dead, Arion released the giant. Malcolm had thrown a spear towards the prince which stuck into the front of the lodge. Surri thanks Raithe for saving Minna and Seph hugs Raithe.
Chapter 28, “The First Chair”
The inhabitants of Dahl Rhen were without a Chieftain, Shield, or Keeper of Ways. Persephone (Seph) declares herself Chieftain to the crowd, which approves, and Raithe as her spokesperson for battle. Seph announces Brin as the Keeper of Ways, Raithe as the shield, and grants Malcolm full citizenship of Dahl Rhen. Seph declares Surri the Mystic of Dahl Rhen. Seph requests the Galantians to stay in Dahl Rhen, as well as Arion, once she was awake. Malcolm was the slave of Nyphron’s father, Shegon, who Raithe killed. Malcolm admits to Nyphron in the conclusion of the book that he attempted to throw the spear into the lodge five feet to the right of the prince – the spear jabbed into the lodge a foot to the left of Mawyndulë.
Chapter 1 of the “Age of Swords”, book two of “The Legends of the First Empire”, “Broken”
This chapter contains the bonus text from the book to be released in the summer of 2017. Roan tries to make a brace for Gifford’s week leg. It fails and he falls. A terrible storm comes to the Dahl and people hide in the food storage. Seph, Arion, and Surri had traveled to Magda for advice. The storm passes and people come out of the storage hole. Something outside of the Dahl is bombarding the barricade/front door.
The people involved with the publication of the final draft of “The Age of Myth” clearly passed the ‘high bar,’ they set for themselves in regards to the book’s publication. A wonderful book, I could not put it down while reading page after page, chapter after chapter, of events involving conflicts with Fhrey, Rhunes, and other characters.
One thing I would like to mention before concluding this review are the quotes preceding each chapter from “The Book of Brin”, written by the character Brin, who has historical insight throughout the tale. She learned many things from a woman and possesses a notable memory. They offer intriguing insight on events and are a wonderful addition to the beginning of each chapter, as readers try to consider what is going to happen next. Each quote is like a deep thought or maxim, and I looked forward to reading each one. Also, there is a note about Mr. Sullivan and his family in the back of the book, with information on how to contact him on the web. His blog is here. E-mail Michael J. Sullivan at email@example.com. Find him on facebook at author.michael.sullivan and on twitter via @author_sullivan.
All in all I give this book five of five stars, as nine out of ten readers probably will or already have. I cannot imagine the amount of work that went into its final presentation. I am happy I read it and will enjoy thinking about the exciting story for a long, long time. I am happy Mr. Sullivan has achieved his goals and hope he continues to find success, am sure he will. Amazing. Awesome. I am very impressed.
“On Writing” was an enjoyable read. I originally purchased the book to read to improve my writing style without considering its entire title “… A Memoir of the Craft”. Even though King explains life experiences from his childhood to near present time, he still includes a great deal of positive advice for writing. Anyone struggling with writing or open to some inspirational thought will benefit from reading “On Writing”.
One reason the book, and Stephen King himself, gives me so much inspiration is the notion of writing about 1,400 words a day or more. This is a far easier idea than trying to set aside a 6-hour time slot to write as much as possible, and way easier than trying to write out an entire project only pausing when necessary. Producing a small amount of work by often habit is more feasible to justify and stay motivated with.
Another notion that I find inspiring is the idea of writing without too much plotting. I agree with King on this one -even if one plots out an entire story or novel, once one writes it out they generally change what goes on (or not) as you write it. If plotting with an outline helps you, go for it. If simply writing without too much thought of the story before you come up with it is the way you write best, go with that. Do what works for you, in other words, even if you’ve heard it many times before.
The next thing I like about King’s advice on writing was to not spend too much time with technique. I enjoy utilizing as much grammar technique as possible, however I do not always adhere to grammar rules as strictly as I would like. Use of the passive voice, colloquialisms, ect. many times are found in my rough drafts. I do not let these things keep me from the story, though, and King reminds us of what is most important when writing fiction. The story.
Many people who have written about “On Writing” mention Mr. King’s near death accident. The story is in the end of the book. He was hit by a vehicle while on a walk one day, nearly died, and was only half through with “On Writing”. Our hearts go out to Stephen King when we hear of his regaining of health after having most of his body shattered and finishing his memoir on writing. Long live the King, indeed.
King mentions his struggles as a young writer such as struggling to pay bills, even when he became an English teacher. Who would have ever guessed that the world’s most famous and respected horror author would be a down-to-Earth family man? I am not sure, however I have more respect for him after reading his honest accounts of his love for his wife, family, and writing. I also found his ideas on drug abuse inspiring. He declares that while many users may think that use helps their creativity, people write just as well without stimulants or sedatives or both. I agree. I may drink a coffee or vape sometimes, however I find participating in creative writing is best without the use of unhealthy substances. I am glad he decided to clean up his life and live in a healthy way, that he could say people write just as splendidly without stimulants/downers or other temptations.
To further explore reasons I liked “On Writing”, I must note that King mentions telepathy. We are not alone as humans; any religion considers the idea. He suggests good practices for choosing a good place to write and being okay with ‘listening’ while writing. He also mentions that he kept this book slim and tried to exercise some form of concision with his prose. In my opinion, he did an awesome job. I was able to read a few pages at night before going to bed and had the book finished, paying attention to its every word, in about 40 days (if I can do it, so can you). King mentions a Mississippi scribbler, John Grisham, as being found by his agent, Bill who set King up with Double Day many years ago. Many people think that part of what makes Grisham such a great author has to do with the ease in which we can read his work. I agree and think “On Writing” can be easily read.
“On Writing” gives references to a few dozen authors/books with explanations of their style and why to read them or how to compare them to what we may decide to write. King helps us consider what we are after with our writing and how to achieve success. He also includes two extensive book lists in the end of the version I read.
Early in the book, he mentions going to the movies and considering what was going on in the movie, as well as what could have happened to make the story even crazier or better. I think most people have a pretty creative mind, however part of King’s unique genius, other than his work ethic, is his ability to consider a good story and either stick with it or spice it up a little.
As far as real grammar lessons go, there are not many in “On Writing”. King does mention”Warriner’s English Grammar and Composition”, as well as Strunk and White’s “The Elements of Style”. He advises a cautious study of these texts, yet mentions that once you have learned enough grammar to write well, there is no need to waste your time with studying too much grammar. By saying this, he reminds us that the story itself is what is most important.
The first part of the book inspired my writing a tale upon reading a few things about Stephen King’s childhood. I put the book down and wrote out an outline, and wrote the story the next day. You can read it here. I also wrote down an outline for a novel with a protagonist and a bunch of monsters, however it may be a while before I get to writing it out, as I am working on some other works of fiction, currently. I’ve kept the outline with a few other novel ideas, nonetheless.
I conclusion I do recommend Stephen King’s book, “On Writing”, to be read by most authors, fans, and readers. It won’t give you nightmares, and though it is no new lesson in English, it will definitely inspire you as a fiction author. Stephen King spent a lifetime working hard and stayed dedicated to his goals as a family man and a writer. He did what was best for him and we should, too, so our reading audience will love and enjoy our work as creative artists and writing masters. What more could we ask for? I hope you enjoy reading “On Writing” as much as I and others have. As said by “Entertainment Weekly”, “Long live the King.”
Book Review for “How to Write a … Story Get Published and Make Money,“
by Christopher Fielden,
Over All Book Review
Upon receiving a copy of this book I thankfully turned a few pages of it every night before bedtime. Mr. Fielden describes how to write outside of work as one aspires to pursue writing as a career. He holds an annual story contest online, “To Hull and Back,” and lists many web links within the pages of “How to Write… ” for submitting stories to story contests and literary periodicals for publication.
A wonderful read, there are also many story examples Mr. Fielden includes. With each story example, he explains how the story was published, whether he chose to re-write the story; and why and how revisions were necessary for better success with publication. If you are learning to write stories for publication, this is an excellent book to read. It is also straightforward enough to be able to be read in a relatively small amount of time, as opposed to other books of the same nature that are not as down-to-Earth or as easy to understand. I enjoyed reading this book and hope you do, too.
List of Story Titles
Some Thoughts on the Stories
Much to the respect of their author, many of these stories were re-worked into undue perfection. Their quality was enhanced upon their review by other writers, editors, and readers, allowing them to be beneficial examples for use and discussion within the text of Mr. Fielden’s book on writing and publishing stories. I will mention each story and a few thoughts on them, briefly.
“The Devil’s Crush” is the first story in the book and it was an awesome fiction story about a man with no legs and a fire-burning demon. The next story, “The Day My Prayers were Answered,” was about a man in debt, who encountered an Incubus. The story was well written and revised with more than one ending before its final draft and a wonderful story to consider. Every story mentioned within this review was astounding, so I will attempt to not say so in a redundant fashion, even though I enjoyed most of the stories a great deal.
“Trolls Head” was a story about Trolls fighting in an arena much like entertainment in times of Rome. I felt as though more could have been said about the descriptions of the characters during the first of the story, as well as the setting. Such a good idea just seemed to need a few more sentences to further paint the mental images I drew out anyway, in my mind. Some of the characters in this story properly use a limited style of dialogue. I did and did not like the dialogue, however it was well done. I would have also liked a more developed ending, though the conclusion did do a good job of pulling introduced ideas together in efficient summary. All in all the story was a great example of ‘showing’ rather than telling, albeit the idea a cliché obstacle for some.
“The Treasure No Thief Can Steal” was about a man-eating dragon who allowed a female protagonist to live. It was a profound example of a fantasy story. “Smoo Choo the Magic Moo and the Secret of Whispering Wood,” is both a story and a well-written children’s poem. I liked the story so much I re-read it a few times and sang a little song in my head, too… “Smoo Choo the Magic Moo, he flies to save the forest. Smoo Choo, the Magic Moo; he flies to end the forest fires for me and you. Smoo Choo, the Magic Moo, for without him what could we do?” I am sure the poem touches the hearts of all who read it.
“Mr. Kill” is an interesting story that uses what I think of as a ‘looping structure,’ where the story ends with the beginning occurring again. This technique is great, so long as the idea behind the story suffices for its use. Though seemingly complicated, the story was entertaining and thought provocative. It is about a doctor who does not save a worm and becomes a worm. Seemingly boring by the previous statement, the story itself is not.
“The El Passo Phantom Feeder” was a great story about the owner of a bar and his perils on a rainy night with attackers, a pretty young woman, and a man-eating phantom –one of my favorites. “The Cat, the Bull and the Madman” was an excellent story and quit worth the read for those of us who have at some point considered psychology. It was with great skill that this story used ‘imaginery’ characters without explaining why they were there then were not. These notions are covered in the discussion following the story.
“Shot in the Head and Left for Dead,” is a story about a rock and roll singer and includes fantastical beast creatures. As Mr. Fielden knows about rock and roll bands and is a drummer, this story was a good example of how well a story can be done when it is written about something the author knows a great deal of. Plenty of writers advise us to write about what we know about. While true, I usually back up my own ideas with research.
“The Ninja Zombie Knitting Circle” is a story well worth its read. If this story was made into a movie, I would be sure to watch it, as plenty of things leave its reader in suspense until its horrifying conclusion. Well done.
“Napalm Rising” is an intense story about a man who interrogates a captive in order to go and rescue his daughter from a dangerous brothel run by armed ex-military criminals. Upon finishing this story, I thought it would be a good idea for the author to write a sequel involving the main character getting caught for his actions when rescuing his daughter. The man could have also been released for reasons due to insanity, as his daughter was in such a tough situation. If a second story is written to follow up with this story in such a manner, I hope it receives publication and that I come across it, somehow.
“Love is Difficult for Zombies” is a story which is only 81 words long. I liked the other stories more, however a story of this nature does take talent and consideration to construct and was well worth its discussion in the book. There exist numerous competitions on the web for stories about 100 words long, and, as with poems, these stories hold their value when they impress their readers (they also hold their value if you win a competition with one).
“Love of the Dark” is an enchanting and story about a woman who escapes a cave with a talking spider. It holds the necessary rules which define a story. It is a pleasant cuddly one.
“I am the Warlock,” was a great example for this book, as its revision was discussed well. I also enjoyed the story itself and the manner in which things occurred. Use of both human characters and those of magical conjuring is impressive, and this story was both fun to read and to consider from a literary, critical point of view.
“Humblebee Bumblebird Meadow,” is a great bedtime story for reading to children and moving, as it paints an emotion invoking sunset. I was near ‘crushed’ with the ending. As powerful as the story was, I wondered if even more description could be added for the sunset scenery.
“Oleg OG Cyber Spider” was a nicely constructed story and a great example. The protagonist suffers a near-death experience, and the story is much like a story within a story. Christopher Fielden is an amazing author, indeed.
Some Notions on Mentioned Techniques
Mr. Fielden includes real advice on useful techniques with getting stories published for payment. He covers such notions as market research, marketing techniques, and conducting the necessary research involved with a specific publication. He even tells us how to communicate with editors or literary publication groups appropriately.
Throughout the text, the author mentions various techniques and how to use them when working with a new story. These techniques and topics, in their near entirety are included in a list as follows:
In addition to the links in Mr. Fielden’s book, remember to check out writersdigest.com for many of your needs as an author. The statement is not meant to be an advertisement, but a recommendation for all writers who may or may not have already considered the resources of Writer’s Digest. There, you can find new markets, writing competitions, techniques for writing better, and much more.
The stories included, though fun and enjoyable to read, are included for the purpose of learning to publish stories for payment. Some basic notions including literary devices within a simple guideline or discussion of basic story techniques, such as plot, character development, scene development, theme, rising and falling action, climax, narrative hook, and symbol are not covered in an appendix or separate chapter, which I would have liked to have seen. Many literary devices and techniques are discussed within the text, however, which somehow adds to the flow of the book, as mentioned above. Many people who write stories have already learned the reasons to use these various techniques from writing classes or reading, so it is not too big of a deal that some basic notions on writing are not covered in a chapter separate from the rest of the text.
As the book’s purpose is mostly to learn to do better with story contests for publication and payment, the advice Mr. Fielden provides is very beneficial, as it comes entirely from experience. Mr. Fielden resides in the UK, where his writing group is. Many of the links mentioned within his book are United Kingdom based. Some readers in the United States or other countries may have wanted to see more information on the contests outside of the UK, as well as the websites and companies mostly in the US who make publishing stories for payment possible, too. This is not a real major drawback to the book, however, as many of the contests mentioned are online and may not be as impossible to receive publication by as high-volume publications in the US. Google is mentioned, and writers all over the world should not have too much of a problem with publishing via enterprises in the UK.
These things being said, I do recommend the book for anyone who is learning to publish stories or wants some additional hope in regards to writing as a career. The book does contain a uniqueness to it, as Mr. Fielden explains each story and goes into detail about the reasons the stories made it to publication or not, depending on situations. Writing as a career does not come easy for some, and this book uses real world examples of how someone overcame certain challenges to not only to receive publication for payment, but also to share the methods and techniques of doing so with others.
In conclusion, I really enjoyed reading this book. I have plenty of books I am waiting to read, and I simply could not wait to read a few pages of this one every night before bedtime. Some of the stories may not be suitable for children, however they are well-written. As far as how beneficial this book is for people beginning to write and publish stories, it is well worth the time to read it. I enjoyed each story and hope you do, too. Thank you for reading this review; the book can be found here on Amazon, and here on Mr. Fielden’s website.
Upon reading “Short… “, I was able to re-think what I thought about in regards to writing stories. I have my own way of writing them; it did not change; and this is a wonderful book to read, however. I think it would be worth anyone’s time to share in Milton’s tale of his bath-house story. He discusses writing advice and displays his choices.
The story he writes about takes place in China and utilizes a main character effectively. As we read the story three different times, we see how amazing and real some great ideas can be, how they can come to life. Milton discusses techniques of revision, gives us examples of what his peers had to say about his writing. A great idea for a story to begin with, it is impressive to see how the story evolves into its amazing final draft. It is about the father of a Chinese rock drummer – it almost seems to be a factional account. Broken and torn, the Chinese father and his wife seek a brighter future.
This book is not a grammar or style book. It does not tell us how to construct a story with a specific method. It does cover various techniques, however, and shows us what works best for audiences from time to time and what will not. It would be best to write out a story and then read this book. It is more for inspiration and consideration of a certain piece of work; it is great for someone who is new to creative writing, fun for consideration to those of us who constantly rehash classic literary devices. I like the story, itself, because it uses a protagonist and concludes nicely. The final draft is well-done; he includes links for writing properly and inspiration, too.
Many of the links in the end of the book are still up to date; Milton is on the web. I sent him a compliment on tweeter, earlier, to: @miltonmichael.
I took notes as I read the book. Milton certainly has a natural gift for writing, as seen in his first draft. The story includes the use of a protagonist well, does not have a specific climax. The story did not really need one, as it did not need too much rising action, falling action, or foreshadowing. This is because it was a nice story, and its conclusion was nice. An in-depth denouement is not always necessary for every story, the father’s problems were solved. It was nice and pleasing to have a happy ending. A link to suggested writing resources via Michael Milton is here.
Milton encourages writers to review others’ works and allow others to criticize theirs, too. He uses a cat as a symbol, it is a good part of his story (I agree). Could the cat have been a symbol of luck in regards to the father finding his son? We do not know, at least the main character had the opportunity to seek a happy future. Break downs of his story and explanations were nice, as well as thinking about the line-by-lines (lbls); he does not tell us how he created the characters, scene, main idea of the story, early on.
Commentary on the second draft was fun to read; it reminded me of an intriguing web forum. Critics point out aspects of his story that we would not have noticed, otherwise, necessarily. Some of the criticism may have been more or less opinion-based, however we as writers should never forget the power of a sentence or paragraph or composition that is written properly. Those dreaded messages in red ink that say impossible commands such as, “Re-word” or, “Improper word choice” are not always there when we write on our own. “Showing” us the story with dialogue rather than narrating incidences, for instance, is not always easy to remember to do. We write out the story. It is done. How we choose to present our final draft defines our unique voice. The better we write, the more our reading audience will appreciate the voice we empower.
The final draft was impressive, indeed. All good stories should be published, they say, and how nice is it to see one revised to perfection? Very nice, indeed. Milton goes through a section on tips and tricks; the section makes the book worth reading. The story alone was fine, too. He does mention books on grammar, plotting, character, and style – they are good books. He also includes a resources link on his website, an invaluable path for writing better/well. He mentions his participation in plays, play-write discussions and acting, and how these notions better help us as writers develop our characters/their roles.
In conclusion, the book is a great inspiration for those of us learning to write better. Milton’s idea to present to us a broken down Chinese father who finds his rock-n-roll son after seeing a cat in the rain was great. He used a protagonist properly in a great story, explained to us how well he revised it and what made the story so phenomenal. His concluding thoughts and resources were both inspirational and will come in handy for anyone who decides to use them. I encourage anyone considering writing a story again for the “first time” to read this book; thank you, Michael Milton, for sharing with us your various methods of mayhem. Awesome job.
A Book Review for Ann Simpson’s, The Genealogist’s Guests
Ghosts are known to come out at midnight; Ann Simpson’s favorite time of the day is 4 AM. I recently read the first book of her three part series titled, “The Genealogist’s Guests”. It is an exciting construction full of nonstop action. When one sees a movie, the climax usually captures our attention with a finale of occurrences. I felt as though the entire book was like the finale portion of a classic film: not a bad thing. Continue reading